Gibson produced this fantastic non-embossed diecut during the early 1930s. I’ve now seen this three times. Given that the hand is neither detached nor missing, the ending bid isn’t outlandish, especially given the visual statement this piece makes. Gibson differentiated itself from its better capitalized competitors, Beistle and Dennison, by bold designs that catch the eye even nearly a century later. Their output was far less than their named competitors, so it may be a while before another surfaces.
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Mark B. Ledenbach's vintage Halloween collectibles blog.