The version shown on page 213 has a decorated rim whereas this one has a plain rim. I’m surprised there would be two versions of such an economically made design. I would love to know for sure which firm produced this tambourine. Several collectors have mentioned that they’ve found this tambourine design as part of a Collegeville “gypsy” costume from the 1930s, but I’ve never been able to independently verify that Collegeville included such items with their costumes.
Hands down, Viscoloid made the most memorable designs in celluloid. The array of stunning colors used and their unsurpassed molding sets Viscoloid items apart from all other makers. (Just look at those cheekbones!) I’ve not seen this particular witch before. It’ll be fun to see what price this fetches.
This incredible invitation is part of a set of at least three produced by Whitney during the early 1920s. (One shows a cat on the stoop, while the other has an owl on the stoop. This one is the most populated and, in my opinion, the very best.) As I forecast some time ago, small paper has become a white-hot market segment. This same seller sold another one of these in September of 2018 for $495. Most collectors I know have decidedly moved on from lanterns and many candy containers to concentrate on small paper (invitations, place cards, tallies and nut cups) made by a wide variety of manufacturers and diecuts made by Dennison, Gibson and Beistle. As the first generation of serious collectors leave the stage, defined as those who began collecting in earnest during the 1960s, the market will see a relatively large influx of lanterns and candy containers become available. Few first, second or even third generation collectors concentrated on paper goods, so few collections richly featuring such items will be coming to market in the near to medium-term. My analysis routinely indicates that certain market segments will slacken while others grow even more competitive. The small paper market segment, for one, will continue to see price increases that will outstrip, maybe far outstrip, price increases seen elsewhere.
This is a jumble of parts to arguably the very best interlocking centerpiece that Whitney ever produced. Each piece is quite a bit larger than pieces comprising other interlocking centerpieces. Some of these pieces measure up to 9.5” high. The lot on offer is missing a side while having duplicates of two others. Sadly, all look to be in regrettable condition. Look on page 274 to see the one ghost side missing. This may very well have been one of the few Whitney paper masterpieces they produced before shutting their doors in 1942.
04/02 Update: This jumble sold for $135.50.
This seller comes up with the most wonderful items! It’s nice to see some interesting items popping up on eBay, as there has been too much junk of late. As stated in the listing, this witch falling into a cauldron glow-in-the-dark decoration is a companion piece to the Jitterbug Jones decoration shown on page 293. I don’t know which firm produced this innovative item. I thought I had a photo of the placard that would have been attached to this originally, but I can’t find it. This is the best one (of the three) that I’ve seen for sale. I’ve never seen one in-person - they are that rare. It’ll be fun to see what this fetches. Its RSIN would definitely be a 1.
03/11 Update: Thanks to a fellow collector who may have the only compete example extant, I can relay what is printed on the placard that should be attached to this diecut: “Turn off the light And ghostly bright A grinning skull Glows thru the night.”
03/14 Update: This sold for an eye-popping $960! It wasn’t even complete. Irrational exuberance?
This rare tambourine might very well have brought a stronger price if the seller, seemingly new to eBay, had posted numerous, clear photos. Simply posting one blurry photo and providing a skimpy description was a poor effort on the seller’s part. This Deco witch flying over a cityscape tambourine noisemaker is rare enough I’ve never seen one in good enough condition to acquire. It was produced by T. Cohn during the 1930s.
I just received this email from the buyer - an informed and savvy collector: “… looking forward to your upcoming auction. I have been looking for a mint condition version of this tambourine for my collection. After many requests for additional pictures with no results I was able to get the seller to tell me it is in mint condition. I took a chance and paid $300 for it. I will let you know if I made the right decision.”
03/12 Update: The acquiring collector turned out to be thrilled with his purchase. It turns out the tambourine was in near-mint+ condition. I wonder why the seller didn’t bother posting several clear photos?
I’ve never appreciated hard plastic items enough to bother collecting them. A result like this makes me wonder if I made an error in seldom buying any! As in nearly all such cases, there were two determined bidders. If I was the underbidder, I’d be breathing a sigh of relief.
This great seller rightly states that most such German compo items were cheaply made and cheaply sold so the molding isn’t the finest. That said, some were very finely cast indeed. Those items were expensive then (~1910-1914, then late teens through the mid-30s) and command quite a premium today. For what this is, the result is quite pleasing. The witch looks comfortable as she sits on a sturdy black cat with an enormous spring tail. This would have a home in any respectable collection. I do wonder if the candy box is original to the piece.
02/19 Update: I thought this would bring more than it did - $227.50.
I think these are rockers from the 1920s produced by Whitney. It is a close call because the graphics are unlike Whitney but the font used seems to be the same one used for years by Whitney.
02/07 Update: This overly cute items sold for $76.99.
The buyer just pissed away $55.55 on this item. The seller confidently but incorrectly asserts this (and several others this same seller sold) light cover was made during the 1920s or 1930s. These were sold in the early 1990s as a 6-8 piece set. They have zero vintage value. Collectors - do your research!
This result is truly crazy! If someone wants the one in my collection, I’ll sell it for $335 plus shipping with the option to buy the mate for the same price.
Beistle produced three large witch diecuts during the late 1950s. Each is extraordinarily difficult to find in collectible condition. This one seems to be in exceptional condition, making the purchase price a relative bargain in these days of an overheated paper market. Look on page 159 to see the other mates to this diecut. My favorite is the one in the middle with the worn soles. It is also the one that eluded my grasp for the longest time.
I love that this fine seller included a photo of the 1920s German hangers she has in her collection. She is selling the owl with black accordion paper. I have never seen the JOL and the Brownie before. I once had a small collection of these but found them too challenging to display. (Anything part of the collection must be displayed - a primary rule for me.)
Whenever you see a tin litho item marked "Life of the Party," you know two things immediately: Kirchhof produced the item and the item was produced during the 1950s. Even if this witch face tambourine wasn't marked, you should deduce it is of more recent vintage by the bright colors used. Contrast it with one made with muted colors during the 1930s shown on page 215.
This pop-up witch invite was produced by Beistle during the late 1920s. They produced another pop-up design a few years later featuring a scarecrow. To my knowledge, the scarecrow design hasn't come up for sale in many years. Check it out on page 223.
09/11 Update: This sold for less than expected - $44.