The crop this season of rare vintage items has been smaller overall than in many years past, so it is nice to see such a coveted and elusive diecut surface. As with many firms, Dennison was hard hit by the Great Depression. Their overall output was significantly lessened by the time this wonderful item was produced from 1930-1932. Not many were made and not many have survived the long journey through time. I know of VERY few collectors that own one of these. I do not. I struggle with whether to buy rare items with condition issue, and this falls in the "what should I do" zone. The SGV is $325, but since one of these hasn't surfaced in any venue I know of for nearly a decade, the sky's the limit.
These beautiful and exceedingly rare German place cards brought about what I thought they would. (I felt they would bring $200 each and they brought ~$186.) I've tried to obtain cards from this set for years to no avail. I find them strangely compelling. Congratulations to both the buyer and seller!
This is a rare tin litho noisemaker, made by an unknown manufacturer during the late 1920s. The graphics are great. The handle and the noise making mechanism are rendered rather primitively. The first time I saw one I immediately bought it for the collection. The ornateness of the disks contrasted with the plainness of the handle caused me to wonder if it was incomplete. However, during the last two-plus decades I've seen this 3-4 times. They all have the strangely plain handle and guts, so one should bid on this with confidence. It is actually in very nice condition.
This plain, almost forlornly so, hat was produced by Beistle during the 1950s. By this time, Beistle's artistic creativity was nearing a bottom. (Compare this design to any of their designs produced during the 1920s and 1930s and you'll immediately see what I mean.) There isn't much demand for this hat. The seller has it starting right at SGV.
WOW! This little gem brought a pretty penny. There are enough data points for me to say the market for these German porcelain items has moved sharply upward since publication of my third edition of Vintage Halloween Collectibles. I will have to analyse and revise the SGV for the rarer items.
This beautiful box of seals was produced by Gibson during the 1920s. Gibson's output was significantly less than their arch-competitor, Dennison, and, sadly, their distribution network was similarly circumscribed. Hence, today it is difficult to find Gibson boxed sets - and even more difficult to find such a clean and nearly complete box. My operating theory is that vintage Halloween paper (aside from napkins, table cloths and the like) will continue its rapid ascent, so if you like this genre, snap this one up. If you wish to see an extensive array of Gibson boxed sets, please refer to pages 264-265.
Whenever you come across a lantern or candy container with the mark, Container Made in Germany, know that the item was made after WWII. In this case, this pleasing lantern was manufactured during the early 1950s. Prices for post-war lanterns are a good deal less than for those made prior to the war.
The photos are poor enough that I cannot be sure, but this appears to be a standard 1920s German composition candy container rather than bisque. I have not seen rubber tails used on German candy containers. They are typically metal springs. The tail has almost certainly been replaced.
I don't know what to make of this diecut. The message is so cryptic that it makes me wonder if something is missing from it. Readers, any thoughts?
10/12 Update: Thanks to those who wrote in! The expression "Get Hot" could mean a number of things: encouraging someone to dance faster, do better or simply make themselves comfortable. Thinking that it might tie in to a product endorsement, I wondered if this diecut was incomplete. I feel now it is complete.
These Spook Lamps almost never come up for sale, especially in this great condition. I am surprised it didn't bring more. There is a larger version measuring 12" high with a 6" shade and a 4.5" wide base. The patent date on these lamps is February 14, 1911, although I don't think they were immediately released. Still, I think they predate 1920. The one on page 188 has some different panel designs than this one.I feel the buyer got a solid bargain.
Whomever scooped this breathtakingly rare porcelain candle holder up for $29.99 should be thanking sweet Jesus they were trolling through the listings when this popped up. This is arguably the most coveted single item from the many the Germans produced for their porcelain tea set service from 1908 through 1932. Prior to this listings I had seen only two examples in the same large lot that was sold to me many years ago. One has been in the collection ever since, the other, heavily damaged and missing pieces, was sold. I have a long list of people who really want this. I sure hope whomever got it was on that list. The seller was foolish. She obviously had no idea what she was selling, given that she describes this as being from the 1970s. She basically robbed herself of thousands of dollars as I have zero doubt this would have sold for significantly more than SGV given its rarity and how many collectors want it. The lesson to be learned here is simple: If you don't know what you are selling, never list it as a BIN - always use an auction format.
This result is far more understandable. Even with less than a full complement of seals remaining, this design is seen so rarely that it has escaped my grasp all of these years. (I did try for it!) I do like the aesthetics of this seal - creepy yet cool!
I'm not sure what happened here. This Dennison slide box of 24 seals (8 of 3 designs each) is hard to find, but not impossible. It comes up from time to time and typically trades at or close to SGV of $95.
This is the best example of this exceedingly rare edition of Dennison's Bogie Books I've seen. Dennison issued their first Bogie Book in 1909, apparently to the sound of a belly flop, as they did not issue a new edition until 1912. (There is only a single example of the 1909 version known to exist. You can see it on page 135.) The 1912-16 editions were printed in quite small runs compared to the later editions. By the time the 1922 edition hit the shelves, the print runs were large as these turn up frequently. If you look at the photos generously provided by the no-doubt-delighted seller, you can see that in 1913 Dennison was still largely hewing to the business strategy of providing crepe and napkins and suggesting ways to customize crepe for parties, rather than emphasizing their higher-margin boxed goods. This strategy rapidly changed, evidenced by the content of the Bogie Books in 1914 and after. Dennison found their niche in boxed items and they never truly surrendered that market dominance. The ability to gain these kinds of insights is surely one reason for collectors' love of these booklets.
The level of detail of this invitation is amazing. This was produced by Whitney during the early 1920s. Because the invitation's clasps are so intricate and delicate, it is hard to find this in near-perfect or better condition. Whitney made a trio of these car invites. While this one is driven by a cat and features a witch and an owl as passengers, the others have different passengers with one car driven by a witch and the other by an owl. The latter two appear on page 280. I am proud to now own all three in near-mint or better condition.