The ending price for this diecut was much higher than I would have expected. Although this is a diecut made for one season (1934 or 1935) and shipped only to eastern Canada, the sustainable price for one in near-mint or better condition is $650. The condition of this item is decidedly below near mint mainly due to its washed-out coloration. Collectors, have patience when a rare item comes available. Buy only the best, then limit yourself to a reasonable expenditure.
I love these early place cards as sometimes the imagery is so odd. Why would a frog be shown resting in front of a roaring fire? Given an amphibian's love of wet conditions, it makes no sense whatsoever, which also makes the card so memorable and desirable. The fact that it sold for a song (or a ribbet...) is sort of a shame. I wish that I would have seen it in time. I would have loved for it to be part of the collection!
The Germans produced three sizes of articulated skeleton diecuts. The most common is the smallest one, which measures 27" high. The middle size measures 37" high and would have an RSIN of 2. The largest size, measuring a whopping 50" high would have an RSIN of 1. I've seen it change hands for well north of $500.
Although this sub-genre of German figurals is not universally loved, I've long appreciated Veggie people. I feel the very best set issued was the six member band of which this is the centerpiece. Although all of its members are hard to find, this bass drummer seems to be the hardest to find of all. This is only the second time I've seen it for sale. The one in the collection came from a long-time collector and dealer's estate. I picked it up in 1994.
I can't recall seeing one of these up for sale for many, many years. This skull table decoration with a flip-out base was made by Beistle from 1930-1931. The one in the collection is unmarked, but this one has the diamond mark that was discontinued right around this time. This is a rare item with a sustainable guide value of $375. Given that one hasn't surfaced in some time and the propensity for some collectors to spend foolishly, who knows what this will fetch. I will be watching.
I returned yesterday from a quick trip to southern California. One of the many activities during the trip was visiting the home of this fine seller. He specializes in figural advertising but dabbles some in Halloween. I had the opportunity to personally examine this smiling Skairo diecut made by Beistle in 1931. Aside from some raised paper at some of the fingertips, the diecut is amazingly bright and free of most of the issues that plague these very large diecuts. If one wasn't already part of the collection I would have endeavored to snap it up that evening. If you've been looking for one, you'll be hard pressed to find a better example.
This small box of seals was produced by Whitney during the 1920s. The market leader for such boxed seals was Dennison by a wide margin, followed by Gibson and their simpler yet somewhat quirkier designs. Whitney was definitely out of their element in making these sets. The art is flat and uninteresting. They rarely marked these boxes, whether out of shame or expediency I cannot say. Dennison boxed sets were produced in relatively high numbers and had a national distribution. Gibson less so and Whitney even less so. Although hard to find, especially complete, these typically change hands for around $100 per box, so the buyer paid a premium here.
I am blown away by what this game brought. The Jack-O-Lantern Target game was produced by Parker Brothers from 1929-1932 and almost never comes available for sale. As with most games, the most interesting aspect of it are the graphics on the box lid. Although nearly complete, missing only at least 7 cork bullets and the advertising card, the condition of the box is so poor that $1525 seems quite high. I bought the one in the collection at an auction in Minnesota in 2000. I have seen only a few since, all with much better boxes than this one. They all sold for significantly less than this one.
It is great to see some nice items being offered this season. This large envelope containing "The Perfect Hallowe'en Decoration" was produced by Beistle during the early 1930s. The value for this set lies almost entirely with the envelope. It is one that rarely surfaces in this shape. Sustainable guide value is $175.
10/16 Update: It may be that time of the year when most collectors have spent their vintage Halloween budget , as this fine enveloped item brought only $132.50.
This non-embossed diecut with an energetic air was produced by Dennison and first appeared in their 1928 Price List pamphlet. Dennison had an unusual design aesthetic starting in 1928 and continuing through the very early 1930s. They ditched their fairy motif and adopted almost a Deco look with lots of movement implied in the design. The colors they used for their boxed items made at this time tended to be brighter with a very playful, non-threatening air. Dennison items made at this item are typically hard-to-find. The Depression settled in by early 1930, affecting most businesses. Dennison was no exception. They produced fewer but cooler new designs during this period than in the previous 4-5 seasons, and in smaller quantities. This diecut falls into this category. Relatively few were made, meaning that few are available today in collectible condition.
10/16 Update: Surprisingly, this fetched only $51. Whomever acquired this got a true bargain.
We know now that Beistle did not produce these paper-litho horns. In fact, there is no record that Beistle authorized the use of the their imagery in the production of these horns. If you examine the horn's artwork and compare it to the items with a fairy motif that Beistle actually produced, there are enough stylistic differences to lead to a conclusion that these types of horns were produced with no license from Beistle. The leading culprit in producing unlicensed items at that time was Japan, so I believe these horns were made there.
Someone got a really nice bargain here. They scooped up a rarely seen set of 5 broomed witch cut-outs that Dennison first issued in 1926. Sustainable guide value is $300, so picking up this compete set at a more-than-50% discount has to feel great.
There is something very wrong here. With over three days left, this often-seen German diecut has received 132 bids and is now sitting at $3,550. This makes no sense. The vast, vast majority of these bids has been placed by a single bidder, followed by a bidder with a feedback score of 1 coming in and trumping the prior bids. I think this would be a great candidate for an eBay investigation.
This is one of the earliest Halloween noisemakers. Patented on April 20, 1909, F.G. Fawkes and Company of Chicago made money by allowing many firms to brand the generic image with their advertising. The one in the collection touts the Boston Store, while this one touts Beck & Benedict. As I write on page 211, this whistle was used as an advertising gimmick by numerous retail establishments.
Be aware that someone bought this complete diecut at a dime store than decided it would be cool to cut out portions of the eyes and cover them with crepe paper. Dennison, which began making this diecut in 1927, did not issue this diecut this way. If you decide to purchase this, it would not have any collectible value.