This tin litho clanger has superb graphics and is bigger than most. This item is elusive. I looked for one in this kind of condition for nearly 30 years before acquiring one. Tin has been one of the cooler genres these last 10 years although there have been recent signs of re-invigoration. The rare tin items have routinely brought strong prices - as I expect this will do.
The seller is correct - this is a hard tin litho noisemaker to find. However, the condition is poor, so the asking price seems steep. Kirchhof made two complementary designs, both of which can be seen on page 204. Of the two, this one will be seen more often, all else being equal. I’d say fair value for the one on offer is $150.
Bugle made some wonderfully eccentric tin Halloween designs - so different from their "kill-me-I'm-so-bored" paper over cardboard horns. This shaker from the 1920s with a very high dome doesn't come up for sale in this condition often, so it was great to see it at this barren time of the year. It came in right at sustainable guide value of $100.
This whimsical and energetic tin litho shaker was made by an unknown manufacturer sometime during the 1920s I think, rather than the 1930s. The same design was used in an exceedingly rare set of cymbals, a set I have yet to obtain. Looking at the blog post below, you'll find that I feel selling in October is not optimal, leading me to wonder what this great item might have brought if it was sold in August, let's say.
I've long appreciated the odd imagery of this noisemaker. On the other side is a nervous cow wearing a bell by a scary tree. If you look on page 207, I have placed an image of this noisemaker next to an image of a tin bell. I believe both were made by the same, unknown manufacturer.
Although not a prolific producer of tin litho Halloween noisemakers, Bugle Toy of Providence, Rhode Island, was an imaginative one. Virtually all of their designs pushed the envelope away from the anodyne or overly cutesy imagery so common then and toward idiosyncratic, memorable imagery. This aesthetic has made Bugle tin items highly collectible and collected. As I write on page 189, "This firm's output was much smaller relative to the others mentioned here. What their line lacked in breadth was compensated for by cleverness. (This applies to their tin items only. Their lithoed paper output is unmemorable.)" Check out page 212 for a nearly complete inventory of their tin designs.
Matthew Kirscht, who did a bang-up job laying out my newly published third edition, feels the same unknown manufacturer responsible for this great shaker also made the four-sided bell-shaped noisemaker that brings relatively significant dollars even though it surfaces regularly. He subtly placed these two items next to each other on page 207. Check them out!