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The market for vintage Halloween items is vibrant and strong, a
condition that has rarely changed in nearly 13 years. Some genres
surge while others fade, but the overall trend line for prices is
up, while the trend line for the availability of premium items is
decidedly down. (As a collector this is frustrating, but as a
sometimes dealer
it brings a smile to my face! I would say that 2008 is shaping up to
be another year where I think the supply of quality items will
continue to be thin.) Right now, in January of 2008,
these genres are still red-hot: USA paper items, primarily from Beistle
and Dennison; 1900's tin parade lanterns;
vintage boxed games from all manufacturers; the Beistle Halloween
Fortune and Stunt games and all of the party sets. German composition candy
containers definitely have been picking up steam over these last two years. Why?
Because I think the average buyer is much more discerning now.
Additionally,
the omnipresence of Ebay reveals the commonly seen frauds for what
they are. The following genres are shiveringly cool:
tin noisemakers (except for most Chein tambourines and the more
uncommon Bugle Toy items) and common German diecuts.
The acceptance and use of on-line auction venues have
certainly contributed to the relative steadiness in the vintage
Halloween collecting hobby, even in an uneven economy. As in any hobby,
rising prices flushed out long-held collections. One blockbuster
collection was sold in 1997 through Dunbar Gallery, with another
cleverly pieced out over several years through individual telephone
auctions. Lesser collections have also come onto the market, with
all material quickly absorbed. The most recent notable collection
dispersal happened in May of 2003 when the Dan and Pauline Campanelli collection was
sold through Noel Barrett's auction house.
Pauline had passed away, so Dan felt it was time to allow other collectors to enjoy the items shown in
their 1995 Halloween book. The prices realized were quite uneven owing to
several factors: the general lack of "mintness" of the items, the
illogical grouping of items and the high fees associated with doing
on-line business with the auction house. Morphy Auctions
conducted a sale of numerous mid-to-high grade Halloween items during the
first few days of September 2005, bringing very strong prices
overall. (Frankly, based on the numerous auction house catalogues
profiling solid quantities of vintage Halloween material I have
reviewed, Morphy is the most professional of these purveyors today
hands down.)
The dark side to this overall rise in prices is the reproduced and
fantasy items being brazenly hawked as vintage―especially through
the on-line venues. Newer collectors, the life blood of any
continuing hobby, are unsuspectingly buying these poorly made and
soulless items, happily stuffing them into display cases unprepared
for the disappointment due when, with further experience and
knowledge, the realization hits they have purchased items with
decorative value only. I used to worry
more about the cynicism creeping into the vintage Halloween collecting
hobby due to this avalanche of reproductions and fantasy items,
which may have driven off the newer collectors at one time. However,
with the strong sales of my book and the high number of unique
visitors to this website each and every day, my fears have been
largely allayed. Keep in mind two rules of thumb: Be
very skeptical of anything hawked as being "found" in the old
East Germany. Many of these so-called vintage German lanterns, candy
containers and figural
horns have been recently made and are essentially decorative items
only, with no vintage value. Also, have the same skepticism about
dealers claiming to have brought back vintage items from any recent
trips to Germany. At the time true vintage items were being made,
they were ALL destined for export, as the Germans did not celebrate
Halloween. I cannot emphasize these points enough!
Prices increased tremendously during the 1990s, but through June of
2003 the rate of
increase markedly slowed, and with some genres actually
reversed. However, as I update this in January of 2008, prices for the bottom and mid-tier
Halloween pieces have strengthened noticeably. Even with the dark
economic clouds seemingly on the horizon, people are still very much inclined
to open their wallets or purses wide. There is
heightened and VERY stiff competition for the top-tier
unique pieces in all genres, and increasingly so with early USA
paper ephemera. (For example, a mint example of Dennison's Hobgoblinville - complete with packaging - sold for over $1,300
early in 2007.)
Some genres have seemed to gain
more strength than others: unusual German diecuts, American candy boxes,
Beistle party sets and Beistle table top decorations have all seen
very sharp price increases in the last year, perhaps due to
the book on Beistle decorations released in 2004.
The Halloween hard plastic genre, long
ridiculously overpriced, has cooled considerably, although prices
remain laughably high for what has to be the most readily available
of all vintage Halloween material.
Unless you just love the
stuff, I'd allocate your
scarce collecting dollars to items which are truly hard to come by!
I believe the first grand phase of
Halloween collecting drew to a close around 2000. Between then and
late 2003, the overall market
largely saw unchanging prices, due to several factors, not the least of which
were the soft
economy and the suspicion that some items being
offered for sale were made recently. It is my opinion that the next cycle
of greatly escalating prices began in late 2003 to early 2004. Collectors,
now realizing this new start
of the pricing cycle with the benefit of hindsight, certainly regret the items passed up in the interim between
2000 and late 2003. I say this primarily because of what has already been
pointed out in the “A Brief History” section: vintage,
display-quality Halloween items are truly scarce. Because Halloween
is an annual occasion creating new memories, this “renewable” aspect
of the holiday will serve to keep interest in the old imagery strong
in the coming years, attracting new collectors all pursuing a
dwindling supply of quality material.
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